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In Sunday's season 3 premiere, we saw The Guy taking time out from selling. There were multiple drafts of this first episode, where the temptation was to make him start from a place where he was kinda lonely, or something like that. We always had to incorporate the delivery in, but we wanted to tell some other stories that didn't involve somebody buying some weed. I was like, The gift of being able to spend a lot of time together through this community and this work structure that we've built. We needed to say a little bit about where he was at. Then by the end of the season, we had gone through a lot together. Instead, he's diving into a pristine lake, hanging out with a very cool woman and dog, and generally chilling the hell out. That was always the start of that first script, but then we were like, Then it just felt right to do that. Past the first two episodes, there's a lot of background mentions of death. All of this mayhem we're going through and the obsession with how shitty everything is, well—now that's your experience of life, talking about what a shitstorm it all is. We wanted to make him a three-dimensional person so we could explore different scenarios. We just got our certificate of ruling of divorce in the mail like last month. So many people don't get the opportunity to be close friends with their ex after they've been through something with them. One bigger difference was we split up as a directing team. It was like, there's a whole group of people who I get to go to work with every day, and I've been here the whole time and... Spend more time here instead of wondering where else I should be. I never have the impulse to go drink alone or anything. Created by EPs/spouses Katja Blichfeld & Sinclair, the 10-episode Season 2 of High Maintenance also is exec produced by Russell Gregory.Producers are Willy Friedman, Gwen Bialic and Emi Irikawa, with Eric Slovin serving as consulting producer. That's why, in ELLE.com's Thirst Trap series, we quench our thirst with the thirsted-after. You're welcome.'s co-creator and lead actor strolls into Brooklyn restaurant Hart's without the luxuriant facial growth the show's weed-dealer, known as The Guy, usually sports. Is it uncomfortable to be so famous and good-looking? "I wanna be fair, but I went to this barber," Sinclair explains affably. I was like, 'Let's take it in a little bit." Actually, Sinclair's gone short before—after shooting the current season: "It was great, actually. But a psychic did tell me to just do it at night lately. "I said, "Do I gotta get this pot thing under control? And though The Guy seems enamored of her spirit and candor, she ends up ghosting him—partly in an effort to get and enjoy her sobriety.In the season finale, their relationship culminates in her gifting him an RV as she heads back to her homeland.
She's also recovering from her own slew of personal problems—she left her director husband after he got accused of sexual assault at work, seeking refuge in woody Upstate New York. The thread that connects these women together is their complicated or non-existent relationship with weed.
fame) in the web series episode "Esme." Beth is cool—Australian, a cigarette smoker, has dirty feet that she’s not afraid to put on the table and ready to pop off at a moment's notice.
In the first season's "Grandpa," we learn she's a hugely empathetic dogwalker and later, in the second season premiere "Globo," a readily rambunctious bartender.
I caught it in 2014, back in its webisode days on Vimeo—when the tales involving and surrounding the nameless pot dealer in Brooklyn (referred to as "The Guy") were confined to under 20 minutes.
Now has grown over at HBO as a full half-hour show where it's currently airing its third season.
The audience for the September 23 second episode was up 6% compared with the premiere.